New Music Friday #7

Each week, we dive into the freshest releases and handpick five standout tracks that have caught our attention. From dancefloor anthems to chilled grooves, these tunes are perfect for your weekend playlist. Whether it’s chart-topping hits or underground gems, these are our favourites you need to hear right now.

March 7, 2025

byOwen

We’ve sifted through the freshest drops in the dance music scene to bring you our top five new releases. From massive collaborations to future festival anthems, these tracks are set to dominate playlists and dancefloors alike. Whether you’re gearing up for a weekend rave or simply hunting for the perfect soundtrack to your day, these picks are not to be missed.

Track of the Week

Wilkinson feat. Julia Church
Back to Life

Wilkinson’s latest single, “Back to Life,” featuring the soulful vocals of Julia Church, is a triumphant entry into 2025 for the drum and bass maestro. This track seamlessly blends Wilkinson’s signature high-octane beats with Church’s hauntingly ethereal voice, creating an anthem that feels both cinematic and club-ready. The production is meticulous, with punchy drums driving the momentum while subtle layers of synths ebb and flow, building tension before erupting into a euphoric drop. Church’s vocal performance is a standout, shifting from gravelly, introspective verses to a soaring, desperate chorus that perfectly complements the track’s emotional arc. It’s a masterclass in balancing raw energy with heartfelt resonance, proving once again why Wilkinson remains a titan in the electronic music scene.

What sets “Back to Life” apart is its dynamic range and the way it marries contrasting elements into a cohesive whole. The verses, underpinned by a gritty bassline, evoke a sense of longing, while the chorus lifts the listener into a space of cathartic release—an effect Wilkinson enhances by stripping back the instrumentation to let Church’s voice shine, then reintroducing the beat with full force. While it nods to Wilkinson’s roots in drum and bass, there’s a freshness here that suggests evolution, drawing inspiration from film music—a passion he’s long hinted at.

Tom Brownlow
More Than Just A Love

Tom Brownlow’s “More Than Just A Love” is a refreshing house track that blends soulful vibes with an infectious electronic pulse, showcasing the Leeds-based producer’s knack for crafting feel-good anthems. The song features warm, old-school piano riffs layered over grooving house beats, infused with a touch of breakbeat flair that nods to his eclectic influences—think Stevie Wonder meets Burial. The standout element is the silky vocal delivery, which elevates the track into an emotional yet danceable territory, striking a balance between nostalgia and modernity. Brownlow’s production shines with its crisp, organic feel, making it a versatile cut that could ignite a club floor or soundtrack a laid-back summer evening. It’s a testament to his rising status in the house scene, delivering more than just a love song—it’s a vibe that lingers.

Eats Everything
The Sanctuary (Love like That)

“The Sanctuary” by Eats Everything is a pulsating tech-house banger that reaffirms the Bristol producer’s mastery of gritty, groove-driven soundscapes. Built around a hypnotic bassline and crisp, shuffling percussion, the track layers haunting vocal snippets and eerie synth stabs, evoking the dimly lit, sweat-soaked atmosphere of an underground rave. It’s a nod to the raw energy of his early work, yet polished with a modern edge that keeps it fresh for today’s dancefloors. While not breaking new ground, “The Sanctuary” thrives on its relentless momentum and immersive vibe, making it a standout for late-night sets and a testament to Eats Everything’s enduring knack for crafting tunes that hit hard and stick with you long after the lights come up.

MOTSA, Jody Wisternoff & James Grant
Feel This Way

“Feel This Way” by MOTSA, Jody Wisternoff, and James Grant is a melodic house gem that radiates euphoria and emotional depth. The track marries MOTSA’s intricate production flair with Wisternoff and Grant’s seasoned touch, weaving crisp piano stabs and soaring arpeggios into a lush, uplifting soundscape. A soulful vocal line floats atop a driving bassline, building to a drop that’s both anthemic and introspective—perfect for festival sunsets or late-night reveries. Premiered at Anjunadeep London in 2024, its 650k+ streams pre-release signal its instant resonance, offering a timeless yet forward-leaning slice of progressive bliss that’s as captivating on headphones as it is on the dancefloor.

Paige Cavell, Goddard.
Owe It All To You

“Owe It All To You” by Paige Cavell and goddard., released on Positiva, is a drum and bass firecracker that fuses raw emotion with electrifying energy. Cavell’s commanding vocals—rich with gratitude and grit—soar over goddard’s masterful production, where frenetic beats and airy melodies collide to create a sound that’s both anthemic and intimate. The track’s relentless tempo and luminous synths make it a dancefloor igniter, while its lyrical heart, a tribute to unwavering support from loved ones, adds a layer of sincerity that resonates deeply. This collaboration is polished, powerful, and poised to dominate playlists and raves alike.

That’s it for this week’s selection of standout new releases. Keep your speakers primed and your playlists ready because next week, we’ll be back with another batch of the hottest tracks from the ever-evolving world of dance music. Until then, keep the vibe alive and the volume high!